![]() ![]() ![]() If you’re struggling to identify shapes in the reflections on a complex still life surface or a fast-moving water source, try taking photos using a very quick shutter speed on your camera. Surprising shapes or colours often appear in reflections and capturing those is the key to making a very realistic finish. It sounds obvious, but always paint what you see, not what you think you can see. He suggests a quick moving stream without painting the water directly. In Jean-Louis Forain’s The Artist’s Wife Fishing, notice how the fairly solid reflection of his wife in red becomes more fragmented towards her head and shoulders. They also appear to come “towards” the viewer. A good way to depict this in a very economical fashion is to start painting the reflection at the top and allow the stroke to move more towards the bottom and become increasingly fragmented. Reflections in moving water tend to become more abstracted the further they and the subject gets from the surface of the water. Jean-Louis Forain, The Artist’s Wife Fishing, 1896, oil on canvas, 95x101cm 3. This can really help to show the qualities that a reflection possesses.” I avoid pure white, instead using this technique to achieve paler tones. ![]() “A transparent colour can be thinned down with oil to allow a white background to show through or to glaze over the top. (Most paints contain information about opacity on the tube or packaging.) I try to think quite literally with paint: transparent paints for transparent objects and opaque paints for more solid areas. Study the opacityĮXPERT TIP – Kate Brinkworth: “Whatever the subject matter, choosing the right paint can really help, especially with reflections. A cold-pressed (or NOT) paper is a good mid-point between the two. A rough paper can be useful for showing the sparkling highlights of light on water as the paint fails to settle in some of the dinks in the surface, while hot-pressed paper is very smooth, allowing for wet-in-wet washes that could suggest softer reflections. If you’re painting with oils or acrylics and want a smoother finish, try using a prepared wooden panel or a fine cotton or even linen canvas. With watercolour, the texture of your paper can have a huge bearing on how the paint behaves too. Link copied to clipboard Whether you’re trying to depict shiny objects or watery mirror images, we’ve got a host of expert tips and lessons from the masters to help you out Kate Brinkworth, Golden Cherry Coke, oil on board, 100x150cmĬonsider your support carefully before beginning. ![]()
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